Diabolici Spiritus Delineatio (2nd Vs)

Detail from Fra Angelico´s `Last Judgement´

Dances and Trances

A Glimpse

Uncanny Images

Hieronymus Bosch-Details

Robert Southey: Cornelius Agrippa

A ballad, of a young man that would read unlawful books, and how he was punished.

Very pithy and profitable.

Cornelius Agrippa went out one day,

His Study he lock’d ere he went away,

And he gave the key of the door to his wife

And charged her to keep it lock’d on her life.

“And if any one ask my Study to see,

I charge you to trust them not with the key;

Whoever may beg, and entreat, and implore,

On your life let nobody enter that door.”

There lived a young man in the house, who in vain

Access to that Study had sought to obtain;

And he begg’d and pray’d the books to see,

Till the foolish woman gave him the key.

On the Study-table a book there lay,

Which Agrippa himself had been reading that day;

The letters were written with blood therein,

And the leaves were made of dead men’s skin;

And these horrible leaves of magic between

Were the ugliest pictures that ever were seen,

The likeness of things so foul to behold,

That what they were is not fit to be told.

The young man, he began to read

He knew not what, but he would proceed,

When there was heard a sound at the door

Which as he read on grew more and more.

And more and more the knocking grew,

The young man knew not what to do;

But trembling in fear he sat within,

Till the door was broke, and the Devil came in.

Two hideous horns on his head he had got,

Like iron heated nine times red-hot;

The breath of his nostrils was brimstone blue,

And his tail like a fiery serpent grew.

“What wouldst thou with me?” the Wicked One cried,

But not a word the young man replied;

Every hair on his head was standing upright,

And his limbs like a palsy shook with affright.

“What wouldst thou with me?”cried the Author of ill,

But the wretched young man was silent still;

Not a word had his lips the power to say,

And his marrow seem’d to be melting away.

“What wouldst thou with me?”the third time he cries,

And a flash of lightning came from his eyes,

And he lifted his griffin claw in the air,

And the young man had not strength for a prayer.

His eyes red fire and fury dart

As out he tore the young man’s heart;

He grinn’d a horrible grin at his prey,

And in a clap of thunder vanish’d away.

THE MORAL.

Henceforth let all young men take heed

How in a Conjuror’s books they read.

Robert Southey: Donica – A Ballad

Author Note: In Finland there is a Castle which is called the New Rock, moated about with a river of unfounded depth, the water black and the fish therein very distateful to the palate. In this are spectres often seen, which foreshew either the death of the Governor, or some prime officer belonging to the place; and most commonly it appeareth in the shape of an harper, sweetly singing and dallying and playing under the water.

It is reported of one Donica, that after she was dead, the Devil walked in her body for the space of two years, so that none suspected but that she was still alive; for she did both speak and eat, though very sparingly; only she had a deep paleness on her countenance, which was the only sign of death. At length a Magician coming by where she was then in the company of many other virgins, as soon as he beheld her he said, “fair Maids, why keep you company with the dead Virgin whom you suppose to be alive?” when taking away the magic charm which was tied under her arm, the body fell down lifeless and without motion.

The following Ballad is founded on these stories. They are to be found in the notes to The Hierarchies of the blessed Angels; a Poem by Thomas Heywood, printed in folio by Adam Islip, 1635.

……………..

High on a rock, whose castled shade
Darken’d the lake below,
In ancient strength majestic stood
The towers of Arlinkow.

The fisher in the lake below
Durst never cast his net,
Nor ever swallow in its waves
Her passing wings would wet.

The cattle from its ominous banks
In wild alarm would run,
Tho’ parched with thirst and faint beneath
The summer’s scorching sun.

For sometimes when no passing breeze
The long lank sedges waved,
All white with foam and heaving high
Its deafening billows raved;

And when the tempest from its base
The rooted pine would shake,
The powerless storm unruffling swept
Across the calm dead lake.

And ever then when Death drew near
The house of Arlinkow,
Its dark unfathom’d depths did send
Strange music from below.

The Lord of Arlinkow was old,
One only child had he,
Donica was the Maiden’s name
As fair as fair might be.

A bloom as bright as opening morn
Flush’d o’er her clear white cheek,
The music of her voice was mild,
Her full dark eyes were meek.

Far was her beauty known, for none
So fair could Finland boast,
Her parents loved the Maiden much,
Young EBERHARD loved her most.

Together did they hope to tread
The pleasant path of life,
For now the day drew near to make
Donica Eberhard’s wife.

The eve was fair and mild the air,
Along the lake they stray;
The eastern hill reflected bright
The fading tints of day.

And brightly o’er the water stream’d
The liquid radiance wide;
Donica’s little dog ran on
And gambol’d at her side.

Youth, Health, and Love bloom’d on her cheek,
Her full dark eyes express
In many a glance to Eberhard
Her soul’s meek tenderness.

Nor sound was heard, nor passing gale
Sigh’d thro’ the long lank sedge,
The air was hushed, no little wave
Dimpled the water’s edge.

Sudden the unfathom’d lake sent forth
Strange music from beneath,
And slowly o’er the waters sail’d
The solemn sounds of Death.

As the deep sounds of Death arose,
Donica’s cheek grew pale,
And in the arms of Eberhard
The senseless Maiden fell.

Loudly the youth in terror shriek’d,
And loud he call’d for aid,
And with a wild and eager look
Gaz’d on the death-pale Maid.

But soon again did better thoughts
In Eberhard arise,
And he with trembling hope beheld
The Maiden raise her eyes.

And on his arm reclin’d she moved
With feeble pace and slow,
And soon with strength recover’d reach’d

The towers of Arlinkow.

Yet never to Donica’s cheek
Return’d the lively hue,
Her cheeks were deathy, white, and wan,
Her lips a livid blue.

Her eyes so bright and black of yore
Were now more black and bright,
And beam’d strange lustre in her face
So deadly wan and white.

The dog that gambol’d by her side,
And lov’d with her to stray,
Now at his alter’d mistress howl’d
And fled in fear away.

Yet did the faithful Eberhard
Not love the Maid the less;
He gaz’d with sorrow, but he gaz’d
With deeper tenderness.

And when he found her health unharm’d
He would not brook delay,
But press’d the not unwilling Maid
To fix the bridal day.

And when at length it came, with joy
They hail’d the bridal day,
And onward to the house of God
They went their willing way.

And as they at the altar stood
And heard the sacred rite,
The hallowed tapers dimly stream’d
A pale sulphureous light.

And as the Youth with holy warmth
Her hand in his did hold,
Sudden he felt Donica’s hand
Grow deadly damp and cold.

And loudly did he shriek, for lo!
A Spirit met his view,
And Eberhard in the angel form
His own Donica knew.

That instant from her earthly frame
Howling the Daemon fled,
And at the side of Eberhard
The livid form fell dead.

Julius Ordach / Robert Southey: The Surgeon´s Warning

The Doctor whispered to the Nurse
And the Surgeon knew what he said,
And he grew pale at the Doctor’s tale
And trembled in his sick bed.

Now fetch me my brethren and fetch them with speed
The Surgeon affrighted said,
The Parson and the Undertaker,
Let them hasten or I shall be dead.

The Parson and the Undertaker
They hastily came complying,
And the Surgeon’s Prentices ran up stairs
When they heard that their master was dying.

The Prentices all they entered the room
By one, by two, by three,
With a sly grin came Joseph in,
First of the company.

The Surgeon swore as they enter’d his door,
‘Twas fearful his oaths to hear,–
Now send these scoundrels to the Devil,
For God’s sake my brethren dear.

He foam’d at the mouth with the rage he felt
And he wrinkled his black eye-brow,
That rascal Joe would be at me I know,
But zounds let him spare me now.

Then out they sent the Prentices,
The fit it left him weak,
He look’d at his brothers with ghastly eyes,
And faintly struggled to speak.

All kinds of carcasses I have cut up,
And the judgment now must be–
But brothers I took care of you,
So pray take care of me!

I have made candles of infants fat
The Sextons have been my slaves,
I have bottled babes unborn, and dried
Hearts and livers from rifled graves.

And my Prentices now will surely come
And carve me bone from bone,
And I who have rifled the dead man’s grave
Shall never have rest in my own.

Bury me in lead when I am dead,
My brethren I intreat,
And see the coffin weigh’d I beg
Lest the Plumber should be a cheat.

And let it be solder’d closely down
Strong as strong can be I implore,
And put it in a patent coffin,
That I may rise no more.

If they carry me off in the patent coffin
Their labour will be in vain,
Let the Undertaker see it bought of the maker
Who lives by St. Martin’s lane.

And bury me in my brother’s church
For that will safer be,
And I implore lock the church door
And pray take care of the key.

And all night long let three stout men
The vestry watch within,
To each man give a gallon of beer
And a keg of Holland’s gin;

Powder and ball and blunder-buss
To save me if he can,
And eke five guineas if he shoot
A resurrection man.

And let them watch me for three weeks
My wretched corpse to save,
For then I think that I may stink
Enough to rest in my grave.

The Surgeon laid him down in his bed,
His eyes grew deadly dim,
Short came his breath and the struggle of death
Distorted every limb.

They put him in lead when he was dead
And shrouded up so neat,
And they the leaden coffin weigh
Lest the Plumber should be a cheat.

They had it solder’d closely down
And examined it o’er and o’er,
And they put it in a patent coffin
That he might rise no more.

For to carry him off in a patent coffin
Would they thought be but labour in vain,
So the Undertaker saw it bought of the maker
Who lives by St. Martin’s lane.

In his brother’s church they buried him
That safer he might be,
They lock’d the door and would not trust
The Sexton with the key.

And three men in the vestry watch
To save him if they can,
And should he come there to shoot they swear
A resurrection man.

And the first night by lanthorn light
Thro’ the church-yard as they went,
A guinea of gold the sexton shewed
That Mister Joseph sent.

But conscience was tough, it was not enough
And their honesty never swerved,
And they bade him go with Mister Joe
To the Devil as he deserved.

So all night long by the vestry fire
They quaff’d their gin and ale,
And they did drink as you may think
And told full many a tale.

The second night by lanthorn light
Thro’ the church-yard as they went,
He whisper’d anew and shew’d them two
That Mister Joseph sent.

The guineas were bright and attracted their sight
They look’d so heavy and new,
And their fingers itch’d as they were bewitch’d
And they knew not what to do.

But they waver’d not long for conscience was strong
And they thought they might get more,
And they refused the gold, but not
So rudely as before.

So all night long by the vestry fire
They quaff’d their gin and ale,
And they did drink as you may think
And told full many a tale.

The third night as by lanthorn light
Thro’ the church-yard they went,
He bade them see and shew’d them three
That Mister Joseph sent.

They look’d askance with eager glance,
The guineas they shone bright,
For the Sexton on the yellow gold
Let fall his lanthorn light.

And he look’d sly with his roguish eye
And gave a well-tim’d wink,
And they could not stand the sound in his hand
For he made the guineas chink.

And conscience late that had such weight,
All in a moment fails,
For well they knew that it was true
A dead man told no tales,

And they gave all their powder and ball
And took the gold so bright,
And they drank their beer and made good cheer,
Till now it was midnight.

Then, tho’ the key of the church door
Was left with the Parson his brother,
It opened at the Sexton’s touch–
Because he had another.

And in they go with that villain Joe
To fetch the body by night,
And all the church look’d dismally
By his dark lanthorn light.

They laid the pick-axe to the stones
And they moved them soon asunder.
They shovell’d away the hard-prest clay
And came to the coffin under.

They burst the patent coffin first
And they cut thro’ the lead,
And they laugh’d aloud when they saw the shroud
Because they had got at the dead.

And they allowed the Sexton the shroud
And they put the coffin back,
And nose and knees they then did squeeze
The Surgeon in a sack.

The watchmen as they past along
Full four yards off could smell,
And a curse bestowed upon the load
So disagreeable.

So they carried the sack a-pick-a-back
And they carv’d him bone from bone,
But what became of the Surgeon’s soul
Was never to mortal known.

Robert Southey: The Cross Roads/ Harry Shigeta

There was an old man breaking stones
To mend the turnpike way,
He sat him down beside a brook
And out his bread and cheese he took,
For now it was mid-day.

He lent his back against a post,
His feet the brook ran by;
And there were water-cresses growing,
And pleasant was the water’s flowing
For he was hot and dry.

A soldier with his knapsack on
Came travelling o’er the down,
The sun was strong and he was tired,
And of the old man he enquired
How far to Bristol town.

Half an hour’s walk for a young man
By lanes and fields and stiles.
But you the foot-path do not know,
And if along the road you go
Why then ’tis three good miles.

The soldier took his knapsack off
For he was hot and dry;
And out his bread and cheese he took
And he sat down beside the brook
To dine in company.

Old friend! in faith, the soldier says
I envy you almost;
My shoulders have been sorely prest
And I should like to sit and rest,
My back against that post.

In such a sweltering day as this
A knapsack is the devil!
And if on t’other side I sat
It would not only spoil our chat
But make me seem uncivil.

The old man laugh’d and moved. I wish
It were a great-arm’d chair!
But this may help a man at need;
And yet it was a cursed deed
That ever brought it there.

There’s a poor girl lies buried here
Beneath this very place.
The earth upon her corpse is prest
This stake is driven into her breast
And a stone is on her face.

The soldier had but just lent back
And now he half rose up.
There’s sure no harm in dining here,
My friend? and yet to be sincere
I should not like to sup.

God rest her! she is still enough
Who sleeps beneath our feet!
The old man cried. No harm I trow
She ever did herself, tho’ now
She lies where four roads meet.

I have past by about that hour
When men are not most brave,
It did not make my heart to fail,
And I have heard the nightingale
Sing sweetly on her grave.

I have past by about that hour
When Ghosts their freedom have,
But there was nothing here to fright,
And I have seen the glow-worm’s light
Shine on the poor girl’s grave.

There’s one who like a Christian lies
Beneath the church-tree’s shade;
I’d rather go a long mile round
Than pass at evening thro’ the ground
Wherein that man is laid.

There’s one that in the church-yard lies
For whom the bell did toll;
He lies in consecrated ground,
But for all the wealth in Bristol town
I would not be with his soul!

Did’st see a house below the hill
That the winds and the rains destroy?
‘Twas then a farm where he did dwell,
And I remember it full well
When I was a growing boy.

And she was a poor parish girl
That came up from the west,
From service hard she ran away
And at that house in evil day
Was taken in to rest.

The man he was a wicked man
And an evil life he led;
Rage made his cheek grow deadly white
And his grey eyes were large and light,
And in anger they grew red.

The man was bad, the mother worse,
Bad fruit of a bad stem,
‘Twould make your hair to stand-on-end
If I should tell to you my friend
The things that were told of them!

Did’st see an out-house standing by?
The walls alone remain;
It was a stable then, but now
Its mossy roof has fallen through
All rotted by the rain.

The poor girl she had serv’d with them
Some half-a-year, or more,
When she was found hung up one day
Stiff as a corpse and cold as clay
Behind that stable door!

It is a very lonesome place,
No hut or house is near;
Should one meet a murderer there alone
‘Twere vain to scream, and the dying groan
Would never reach mortal ear.

And there were strange reports about
That the coroner never guest.
So he decreed that she should lie
Where four roads meet in infamy,
With a stake drove in her breast.

Upon a board they carried her
To the place where four roads met,
And I was one among the throng
That hither followed them along,
I shall never the sight forget!

They carried her upon a board
In the cloaths in which she died;
I saw the cap blow off her head,
Her face was of a dark dark red
Her eyes were starting wide:

I think they could not have been closed
So widely did they strain.
I never saw so dreadful a sight,
And it often made me wake at night,
For I saw her face again.

They laid her here where four roads meet.
Beneath this very place,
The earth upon her corpse was prest,
This post is driven into her breast,
And a stone is on her face.